photo: Tsunan Shinbun |
This autumn, I went to Niigata to
see a Yubiwa Hotel’s performance, titled “But I was so in love ---Tsunan-machi
Okura snow shed version,” or あんなに愛しあったのに〜津南町大倉雪覆工篇, held at the Echigo-Tsumari Art Triennale. Yubiwa Hotel is one of my favorite
performance units and I had longed to see this performance since I saw it last timeat Ichihara Art×Mix in 2014.
Shirotama Hitsujiya, the director of Yubiwa Hotel has a
unique way of making dramas. She trys
to find “treasures” of the local area by doing ethnological research and creating
stories based on them. This time, the drama is set in Tsunam-machi, a remote
area in Niigata pref., which has heavy snow in winter.
We got to the Tsunan-machi Okura snow shed, which
Hitsujiya selected as the stage for this performance. The Okura snow shed, located just along the Shinano River,
used to be a snow shelter to protect the local road and people from heavy
snow. We, the audiences were asked
to walk back and forth through the snow shed with the actors as the story went
on. Basically, the shed became the
tunnel that connects the real world with fantasy.
Having heavy snow, sometimes over 4 meters a day in
winter, and a decreasing population, Tsunan-machi has a lot of
difficulties. The drama starts
when the schoolgirls who belong to “social study club” introduce the history and
some legends of the region. The
play seems to raise several important matters; how can we cope with this
situation and how can we figure out any solutions. However, it’s not a social scientific drama, on the
contrary, soon before we know it, we are drawn into a beautiful fantasy.
One schoolgirl says;
“Teacher, can we also become snow? If so, we would be able to come back
here again.”
I think these words are a great invention of this drama
because it is a fantastic solution to the problem that this remote area
has.
And then, winter comes and snow starts falling on the
ground of Tsunan-machi with a snow fairy, or yukimushi. The aerial dance that expresses the
snow fairy was breathtaking and we saw the image of people coming back to their
hometown by transforming themselves into flakes of snow.
Although there aren’t so many words in this drama or possibly
because there aren’t so many words, the performance appeals to our senses and
we feel at one with the fantasy that Hitsujiya created.
↓Thank you very much for your click.
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