It's in the middle of rainy season in Japan.
I can't go out but it's a good time to plan my summer vacation.
Somewhere cool to relax and less people.
Lake Chuzenji in Nikko must be for you and me!
I'm working as a freelance copywriter in Tokyo. Tokyo is a very exciting city and always inspires me a lot. Here, I'd like to write down what I think is interesting or just what I like because it would tell exactly who I am.
2020年7月6日月曜日
2016年3月25日金曜日
Anime All Star Version of “Flowers Will Bloom” is Gorgeous!
NHK released the new version of 311
earthquake recovery support song, “hana ha saku” or “Flowers will bloom” in
March. They call it “anime all star version” and the anime characters, which are very
popular among Japanese almost all generations appeared in it. For example, “Space Cruiser Yamato,”
“Pocket Monster,” “Lupin the third,” “Astro Boy,” “Neon
Genesis Evangelion,” and such. It’s incredibly star-studded cast.
When I watched the video, I re-recognized
that we are closely and deeply related to the anime and manga culture and it is
along with our lives anytime.
I don’t know how much the characters
encourage us to stand up again when we are in a harsh time. At least for me, this new version of
support song is touching.
↓Thank you very much for your click!
にほんブログ村
2015年11月18日水曜日
Raf Simons's days in Christian Dior.
I was very surprised to know that Raf Simons, the artistic
director of Christian Dior, left the most prestigious fashion house after his
three and a half years contribution.
“Dior and I,” is a
fashion documentary film that depicts Raf’s eight weeks, from day one when he
started working for Dior till his debut haute couture collection of fall-winter
2012. Initially, I thought it’s
just a behind the scene fashion movie, but it was much more than I
expected. On the contrary, it
became one of my favorite movies of the year 2015.
Raf had been a director of Jil Snder, a Milan fashion brand, which
is characterized as sharp with modern line and form. As for Dior, it’s the most elegant and feminine brand. People were very curious how Raf, a
minimalist, would meet the high demands and create his own Dior style when he
took the position as a director of Dior.
A haute couture collection usually takes six to eight months to prepare,
but Raf was given only eight weeks.
What is worse, he had never designed haute couture before. The movie reveals all the process of
making the collection including some conflict with staff members and Raf’s
nervousness as well.
What impressed me most is Raf’s attitude. He is calm, shy and restricted rather
than arrogant and self-indulgent, which people in the fashion industry are
likely to be. He is intensely
focused and never loses control until the end. He knows exactly what is required, that is, a mixture of
Raf’s modern minimalism and Dior’s legacy. It’s easy to say, but when I saw his final output, I knew he
did it in a perfect way.
Nowadays, almost everything seems to be determined by
marketing. People are likely to
rely on the analyzed data and figures because they don’t want take any risks. As for Christian Dior, Raf’s
inspiration and creativity itself was the marketing that showed the big brand
the way to go.
Under the incredible pressure of high expectations, he must have
carried a heavy load on his shoulder.
Raf explained the reason why he left Dior as “personal” only. Anyway, I’m looking forward to seeing
his next challenge after leaving Dior.
The trailer of "Dior and I"
You can see the details of Raf Simons's first show
that was introduced in the "Dior and I."
Christian Dior Paris Fashion Week Haute Couture
2012/13 AW held on July 2nd 25 min
Raf Simons’s last collection for Jil Sander 2012/13 AW.
It was held just before he moved to Christian Dior.
It’s mesmerizing.
↓Thank you very much for your click.
にほんブログ村
2015年11月4日水曜日
Taken on a visionary trip. Yubiwa Hotel’s performance at Echigo-Tsumari Art Triennale.
![]() |
| photo: Tsunan Shinbun |
This autumn, I went to Niigata to
see a Yubiwa Hotel’s performance, titled “But I was so in love ---Tsunan-machi
Okura snow shed version,” or あんなに愛しあったのに〜津南町大倉雪覆工篇, held at the Echigo-Tsumari Art Triennale. Yubiwa Hotel is one of my favorite
performance units and I had longed to see this performance since I saw it last timeat Ichihara Art×Mix in 2014.
Shirotama Hitsujiya, the director of Yubiwa Hotel has a
unique way of making dramas. She trys
to find “treasures” of the local area by doing ethnological research and creating
stories based on them. This time, the drama is set in Tsunam-machi, a remote
area in Niigata pref., which has heavy snow in winter.
We got to the Tsunan-machi Okura snow shed, which
Hitsujiya selected as the stage for this performance. The Okura snow shed, located just along the Shinano River,
used to be a snow shelter to protect the local road and people from heavy
snow. We, the audiences were asked
to walk back and forth through the snow shed with the actors as the story went
on. Basically, the shed became the
tunnel that connects the real world with fantasy.
Having heavy snow, sometimes over 4 meters a day in
winter, and a decreasing population, Tsunan-machi has a lot of
difficulties. The drama starts
when the schoolgirls who belong to “social study club” introduce the history and
some legends of the region. The
play seems to raise several important matters; how can we cope with this
situation and how can we figure out any solutions. However, it’s not a social scientific drama, on the
contrary, soon before we know it, we are drawn into a beautiful fantasy.
One schoolgirl says;
“Teacher, can we also become snow? If so, we would be able to come back
here again.”
I think these words are a great invention of this drama
because it is a fantastic solution to the problem that this remote area
has.
And then, winter comes and snow starts falling on the
ground of Tsunan-machi with a snow fairy, or yukimushi. The aerial dance that expresses the
snow fairy was breathtaking and we saw the image of people coming back to their
hometown by transforming themselves into flakes of snow.
Although there aren’t so many words in this drama or possibly
because there aren’t so many words, the performance appeals to our senses and
we feel at one with the fantasy that Hitsujiya created.
↓Thank you very much for your click.
にほんブログ村
2014年8月13日水曜日
It was a heavenly experience, Yubiwa Hotel’s performance at Ichihara Art×Mix.
![]() |
| Kominato Railways that runs through canola flowers fields. photo:Japan Times |
It
was just a few months ago when I saw a Yubiwa Hotel’s performance for the first
time. And now, I became a big fan
of it. Its latest title, “But I was so in love”, or あんなに愛しあったのに---中房総小湊鐵道編 was one of
the most impressive performances that I‘ve ever seen. I still remember some of the scenes played at Ichihara Art×Mix, an
art triennale that has just launched at Ichihara in Chiba prefecture this year.
Yubiwa
Hotel is the name of performing arts company that Shirotama Hitsujiya has been
leading. Her way of playmaking is
unique. She thinks that stages
should not always be at theatres, and practically, she has used the seashore, a
factory, a book store, a tennis court as alternative acting places and made the
most of the uniqueness of the spaces for her playmaking.
This
time, Hitsujiya used local trains as her stage. It was really interesting! When I visited Ichihara Art×Mix, it
was in the middle of spring and the sites were incredibly picturesque. Fields were covered with tons of yellow
canola flowers and pink cherry blossoms.
“This must be real Shangri-la!”
I almost shouted. The
performance was taken place on the trains of Kominato Railway that run through this
mesmerizing countryside.
![]() |
| photo: Chiba Nippou |
“Welcome
aboard on Kominato Railway today!”
As the train departed on time, a conductress announced.
“Now,
let me see your train ticket, please.” The following moment when she tried to check passengers’
tickets, she found a woman falling down on the floor.
“Passenger? Passenger? OMG! She is dead!!!”
![]() |
| photo: Chiba Nippou |
Something
scary happened just in front of all of us passengers (=audience) on the train
and we were strongly drawn into the act.
The drama went on not only on the train. At Satomi station, musicians got on the train and started
playing. In canola flowers field stretching
outside of the windows, people were dancing. The story developed beyond our imagination and it took our
mind past and future unexpectedly.
Finally, the borders between a fictional world and a real world, actors
and audience and dead and alive were getting vague. That’s exactly Hitsujiya’s magic.
When
the train got to the terminal station, I felt so sad because I knew that’s the
end of the journey and also the end of the story. I wished I had been in the story as long as I could.
↓ Thank you very much for your click.
にほんブログ村
2014年1月31日金曜日
I'm fed up with getting tickets.
I’m
sick and tired of trying to get tickets.
I was totally exhausted when I tried to get a couple of seats for my
favorite performance.
I’m wondering how do people usually get their tickets? It seems that it’s getting harder and
harder to reserve tickets compared to a few years ago.
In
the end of May, there is a Bunraku, Japanese puppet theatre, performance, which
I desperately want to see. So, I
decided to get the tickets at any cost. After checking online, I found out
that there are two ways to buy tickets.
There is a ticket allocation for theatre members as well as for the
general public. Needless to say, I
thought I would try both of them just to be on the safe side.
I
became a member of the theatre right away by paying 3,500 yen in order to gain
the exclusive presale tickets. So,
I presumed that my tickets should have been all but assured. However, it was not that simple.
On
the day they started selling the tickets for theatre members, I simultaneously logged
into the theatre’s website and called the reservation center at 10:00 AM on the
dot, but both the server and the phone were busy. I tried them over and over again and when I finally got
through to the operator, it was already 10:30 though, I was told that only B
seats on the third floor were available.
I
was so disappointed! The first
thing that popped into my head was if I could actually see anything from the third
floor. And the second thing was
that the 3,500 yen theatre membership was of little avail.
Not
to worry. I had another
opportunity to get better seats. I
was well prepared for the on-sale day for general admission tickets. On that day, as luck would have it, I
was able to access the website as soon as they went on sale. But again, unfortunate. Tickets were sold out while I was
filling out my information.
Afterwards,
I got to know that the tickets were completely sold out in just three
minutes.
↓Thank you very much for your click.
にほんブログ村
2014年1月16日木曜日
The Tale of Princess Kaguya
When
I was a kid, one of my favorite folk tales was ‘Kaguya hime or Princess
Kaguya.’ I read it over and over
again and I still remember the scene in which the messengers from the moon
descend to Earth to pick the Princess up with the full moon as a backdrop. It was not only beautiful and owe
inspiring, but made me aware of the existence of outer space and the creatures
living there for the first time.
It’s
amazing that the story dates back to the 10th century. It’s the oldest-known science fiction
narrative to exist. Isn’t it
fun to think that people 1,000 years ago imagined aliens on the moon as they
looked up at the sky? For me, as a
four or five year old kid, Princess Kaguya was nothing but an alien who tried
to contact us like ET.
The
original story writes that one day, an old bamboo woodcutter finds a bamboo
tree glowing mysteriously while he is working. A beautiful baby girl appears from it. The old woodcutter and his wife think that
the baby is a gift and raise her as their own. After, she grows up into a
beautiful princess, princes and even the Emperor himself vies for her
affection. However, she returns to
her home on the moon leaving the Emperor alone and heartbroken.
Ghibli’s
latest animation, ‘The Tale of Princess Kaguya’ is based on this story. The difference is that Takahata, the
directer of the film has embodied the character of Kaguya and has added the
reasons why she came down to Earth and had to return to the moon. As the tag line of the film goes “A princess’ crime and punishment,” the
reasons are the clue to understand the film.
Takahata depicts the liveliness of
everything on the earth closely with seemingly rough and dynamic strokes. When Princess Kaguya runs though the
field, gentle breeze blows and the grass bends joyfully along with it. Birds, insects, animals, grass, trees
and flowers, everything is alive. Our
lives are filled with brightness, even though we have to go through sufferings. Despite fear, anger, and sadness, our
lives are wonderfully original.
The film brilliantly illuminates it with images of life.
I
longed for the moon when I was a kid.
On the contrary, Princess Kaguya longed for the earth. It can be said that the film tells
something important from the viewpoint of an outsider. It’s a cerebration of life on earth.
↓Thank you very much for your click
にほんブログ村
2013年4月26日金曜日
Looking up the night sky
In the night of April 22, the
Lyrids meteor shower peaked. I was
ready to look up the night sky, but unfortunately, it was cloudy and I couldn’t
see any bright showers.
I’m not an astronomy maniac,
though. I like just watching the
night sky every so often. I don’t
know exactly when it was, but I never forget the moment when I saw the Milky
Way very clearly. It really blew
my mind. There were, literary,
astronomical a number of stars there and I felt as if they were twinkling and
making some happy sounds.
There was another opportunity that
made me look up the sky. One
day, Tsuruhiko Kiuchi, an amateur astronomer who found two new comets, showed
us Comet Swift-Tuttle, which he rediscovered, coming closer to the earth. I saw a comet, which had a long white
tail, with his big telescope for the first time in my life.
I was lying on the grass in
the meadows when the Perseids meteor shower peaked some years ago. It was just like a 3D spectacular. Shooting stars were moving toward me
one after another and one of them had a long red tail that lingered in the sky
pretty long.
The night sky is enjoyable
even if there aren’t any astronomical shows. Just looking for star signs and galaxies are fun enough for
me. One summer night, we found a
small luminous body moving across the sky slowly when we were relaxing on deck
chairs after a BBQ party. Someone
said, “Is that an airplane?” “No, planes should have red and green
lights.” “Then, UFO?” “It will be fun if it’s a real UFO, but
UFOs are supposed to fly randomly.”
Our conclusion was that It was an artificial satellite or the
International Space Station.
The reason why I like looking
up the night sky is that we all came from the space originally. And I believe so.
Photo: wired.jp / courtesy
Luis Argerich
↓Thank you very much for your
click.
にほんブログ村
2013年4月19日金曜日
March comes in like a lion, 3月のライオン
“Thermae Romae,” “Himizu,”
“Moteki,” “Space Brothers,” “Helter Skelter,” “Jin,” “Brave Hearts,
Umizaru.” Do you know what these
have in common, they are all recent big hits? The answer is that they are all based on comic books. These are just some examples and you can
easily find a lot more movies like them.
Comic
books are real treasures for the movie and TV drama industry. However, I have hardly read any comics
for all but two decades and I’m not well up in them. Then, I have just started reading some major comic books at hand
to see what their contents are actually like. As a matter of course, soon I realized that some of them are
annoying with amount of onomatopoeia and I thought they are just waste of time,
but some of them are actually not bad.
“March comes in like a lion, 3月のライオン” written by Chika Umino is great! It’s a shogi-themed manga, but I think it should
attract both men and women in all generations. Story goes like this.
Rei Kiriyama, a 17-year-old boy, is leading a lonely life. He lost his family in an accident when
he was a kid. He became a
professional shogi player for living, still holding a big pain deep in his
heart. One day, he met Kawamoto
three sisters and finds what he lost little by little.
I
got goose-bumps in shogi match scenes.
In shogi, games end when a looser declares “I’m lost.” That’s a rcruel rule. Umino depicts how players stick to
winning the games with the characters’ background stories. Players sometimes have to resort to
tricky tactics. They have no
choice but to do it to win the game because winning means getting a place for
their own. By the way, Manabu
Senzaki 8 dan supervises the descriptive
notations in the story and most of them are from the records of historically
famous matches. That makes the
story very realistic.
I
was always wondering why manga geeks liked quoting a lot of famous phrases from
comic books? I thought that geeks
should be more creative and start making their own phrases, instead of
borrowing other people’s phrases. However,
now I feel a bit different because I found some good phrases in this comic and
wrote them down in my notebook.
Power of manga could be very strong.
↓Thank you very much for your click.
にほんブログ村
2013年4月13日土曜日
Flash Mob
Many
people at a square in Shibuya, all of a sudden, pretended to make calls with
bananas holding in their hands.
People on an escalator gave high five each other. People came from nowhere and they
started dancing together in an airport.
Passers-by were all eyes, puzzled and wondered what on earth was
happening.
Those
performances are called flash mob acts and it’s getting popular around the
world. According to Oxford
Dictionary, the definition of flash mob is as follows:
Flash
mob (noun)
a public
gathering of complete strangers, organized via the Internet or mobile phone,
who perform a pointless act and then disperse again.
The
first flash mob act was born from an idea of an editor for Harper’s Magazine,
Bill Wasik in 2003. Wasik said that he just wanted to have an experiment to
see what would happen if he proposed random people, by email, his idea of
getting people together and performing his scenario.
Why
do flash mobs attract a lot of people around the world?
Basically,
flash mobs don’t have any purposes themselves. Masaaki Ito, the author of “Flash Mobs” said that it could
change the order of space.”
A
performance suddenly cuts in our daily life and changes our scenes. In a few minutes, our scenes go back to
normal as if nothing happened.
What people experienced for some minutes is more than just fun. Although participants of events are
anonymous, they get to know that they have power to attract people’s attention
when they get together for an act.
It
remind me of one event which took place around the same time of the last
year. People who were opposed to
re-starting of Ooi nuclear power plant got together in response to the
announcement made on Twitter and strolled around the prime minister’s official
residence. It was an political event,
but both flash mobs and Twitter parades are all but the same on SNS based
movements.
After
the 3-11 disaster, we have been trapped in a smoldering atmosphere. I think that flash mobs show us some
possibility to be connected, not close-knit, and break out of the stagnant air.
↓Thank you very much for your click.
にほんブログ村
2013年4月1日月曜日
朝ドラ「純と愛」 きわめて個人的な総括
新しい年度が始まって気持ちはグイグイ前向きなはずなのに、NHKの朝ドラ「純と愛」が終わってしまった喪失感が大きい4月1日です。(笑)
結構のめり込んで、朝から号泣しながら見てましたから。
(←バカですね〜)
3月30日(土)最終回の視聴率は20.2%。 6ヶ月の平均視聴率は関東で17.1%。ヒットメーカー遊川和彦さんの脚本にしては、期待するほど伸びませんでしたね。そして、最終回のエンディングも賛否両論というか、私のツイッターTLには非難の礫が飛び交っていました。実は私も、あのエンディングなら最終週はナシでいいじゃない!と憤慨したクラスタ。
でもね、面白いドラマでした。黒一面のオセロが、最後の一手で白にパッと変わるみたいに、極端から極端に振れる遊川節を十分堪能したし、役者さんも良かった。特に風間俊介さんの狂気を含んだ演技には目を見張りました。ホント、朝が楽しみな6ヶ月でした。
そこで。このまま何も語らずに終わってしまうのは勿体ないので、個人的な総括をちょっとさせていただきます。(長文注意)
【エンディングは本当にあれで良かったのか?】
脳腫瘍に倒れた愛が、手術後の昏睡状態から純のキスで目覚めるかどうか? これが鍵だったわけですが、結局視聴者の想像力にゆだねるという結果でしたね。よく見ると、かろうじてハッピーエンドと読める仕掛け(魔法の国写真館の待田純さん=寂しそうな笑顔がなんとも…)がつくってあったけど、劇中の登場人物とともに苦難を味わい続けた視聴者はカタルシスを求めているわけで、あれでは不十分。想像力に任せるなんてしないで、ドラマらしく明確に映像化して欲しかった。100歩譲ってあのエンディングを受け入れたとしても、その前の純のモノローグは???でした。父のように、母のように、兄のように、弟のように…って。狩野家メンバー、そんなにお手本になるような人たちだったかな?
【視聴率が意外と伸びなかった理由を考えてみた】
朝ドラの視聴者は、ほとんどが時計代わりにテレビを見ているだろうし、放っておいてもチャンネルはそのままなはず。そこに遊川ファンがプラスされるんだから、普通に考えればレイティングは上がりますよね。では、なぜ? 個人的には、出足の2〜3週間に固定客を逃した。それが大きいと思ってます。そのいちばんの理由は、ヒロインのキャラクター設定が破綻していたからではないでしょうか。
純のキャラクターは、
狩野純 22歳
嫌いな言葉は、「固定観念」、「大人になれ」、「みんなやってる」。
正義感が強く、歯に衣着せぬ態度で言いたいことを言う純は、周囲に煙たがられて孤立。友達もいない。でも「魔法の国」のようなホテルをつくるために、明るく前向きに頑張ってる。
まあ、ひと言で言えば、「トラブルメーカー」なわけです。
いきなり登場した嫌われ者のヒロインを、愛すべきヒロインとして視聴者に短期間で定着させなければならない。それが出来なかったことが要因でしょうか。現に、私もまわりにも、ドラマ開始2〜3週間で「もうバタバタ騒がしくて無理」と脱落した者2名。私も辛かったけど、最初の山を越えたら慣れてきました。(笑)
同じ遊川脚本のドラマに、「曲げられない女」(主演:菅野美穂 日本テレビ 2010年1月〜)がありますが、このヒロインも純にちょっと似ています。
キャッチコピーは「わたし、まっすぐ生きていたいのです。」
曲がったことや無駄を嫌い、いかなる物事もきちんとして、些細な言い間違いですら、その場で正さなければ気が済まない。「すみません、正確に言っておきたいので」が口癖。その為周囲とはいつも軋轢が生じ、璃子と再会し、光輝に出会うまでの32年間友人を作ってこなかった。(wikiより)
ね、似てるでしょう?
でも、「曲げられない女」は、司法試験に連続10回落ち続けつつも挑み続けるストイックさがあり、彼女の正義は社会的な正義で、自分に対して、世の中に対して曲げられないもの。一方、純のそれは、「深夜にコーヒーを飲みたい客に、なぜホテルのルールだからと言って12時過ぎにコーヒーを持って行っていけないの?」というホテル経営の効率など無視した子供じみたもの。ドラマのキメ言葉「あなたはそのままでいてください」に値するヒロインの正義感が読み取れなかったです。
【オフィシャル・メッセージがブレていた】
このドラマ、最初NHKは、「宮古島出身の一人の女性が大阪で働き、後に夫となる男性と共に夢に向かう姿を描く。」と発表していたんですよね。純愛ものとか、ラブ・コメディとかとも言っていた気がします。でも、ドラマ中盤くらいから、復興支援のメッセージを込めたと発言するようになって、物語もどんどん過酷になっていきました。もし初めから、辛い過酷な環境にいる人が希望を持って立ち上がれるような、そんなメッセージを送る物語、と言ってくれていたら、見ている方も心づもりも出来ていたのに…(泣)。
【最後に、風間さんの演技について】
6ヶ月間、すごく面白くドラマを見ていましたが、個人的な収穫としては、風間俊介さんという役者さんの凄さを知ったことです。この方の、一瞬で皮膚温がサーッと下がり、柴犬のような表情が狂犬のギラつきに変わるところなんて、もうひっくり返りそうでした。純と愛をきっかけに、「それでも、生きていく」、「アキハバラ@deep」、「前橋ビジュアル系」など過去の出演作品も拝見しましたが、この3つはまったく違うキャラクターで質の違う演技を見せてくれています。(って、私べつにジャニヲタじゃないですよ。笑)
あ〜、長々と書いてしまいました。ごめんなさい。でもスッキリ。
いちおう、これで私の「純と愛」は一区切りということで、
さあて、4月を始めようかな。
↓クリックありがとうございます。
↓クリックありがとうございます。
にほんブログ村
2012年8月17日金曜日
Sherlock
The Olympic games were over but I still have other interest in London. Do you know what? It’s Sherlock!!!
Sherlock is a BBC TV drama series that was broadcast on NHK BS. It’s a modern version of Conan Doyle’s “Sherlock Holmes” and the character portraits what Sherlock would be like if he was living in the 21st century.
In this series, Sherlock is a “consulting” detective. He is super smart and observes everything intensively like mechanical eyes to find any possible clue to solve any cases at a glance. At the same time, he is too self-confident, arrogant and what he does always bugs people, even staff members of the London police. Yes, he is obviously a problem person.
Even so, Sherlock seems very an attractive character and Benedict Cumberbatch acts modern Sherlock so nicely. I think that he successfully shows some aspects of Sherlock, such as talented, freaky, wild and childish. He is cut out for the role!
At the end of the latest season 2, Sherlock Holms disappeared suddenly. Is he dead or still alive? The last scene of the story left me some mysteries and disturbed my heart a lot. I’m dying to see the next episode for the show as soon as possible but the problem is that the shooting for the next season has not started yet in London! How long do I have to wait for it?
As I look for some information about next season’s episodes, I got totally hooked on Sherlock.
【additional】
Benedict Cumberbatch navigates BBC's Olympic opening coverage
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