I went to the Yokohama Museum to
see “Takashi Murakami’s Superflat Collection.” You might think it’s the art work of Takashi Murakami, one
of the most successful artists in contemporary art, but it’s the display of
Murakami’s private collection as an energetic art collector. It was mind-boggling and incredibly
overwhelming.
The collection is assembled based
on the artist’s unique eye and aesthetic.
From contemporary art to antiques, from Japan and other countries, it
includes more than 5,000 items. I
think it’s more than a private collection in scale. It seems to be collected just by his instinct and I felt as
if I saw inside of his head.
Murakami is one of my favorite
artists. Especially, I like what
he is thinking and saying rather than what he is drawing. He is a great concept maker and an eloquent
speaker as well. I remember his
“declaration” for the exhibition “Super Flat Declaration” that he curated in
2001. It starts with this
phrase, “Japan might be the future of the world. And the Japan of today is SUPER FLAT.” So cool, isn’t it?
The declaration continues,
“…everything from society and public morals to art and culture is super two
dimensional.” He says “Super Flat”
is a new concept to understand Japanese original culture. Now, Japanese students learn
perspective and Western art at school.
The two dimensional structure has been disregarded since Japan
modernized in the Meiji era. However,
Murakami indicated that sense of two dimensional structure have been handed
down through games, manga, and animation culture.
In this exhibition, Murakami
expanded the definition of the concept “Superflat.” Everything in here seems to be equal in value. There is no historical period, no genre,
no hierarchies, and no logic in his collection. It’s the chaotic world, which is a mixture of good and bad,
valuable and invaluable.
As I expected, what he is
thinking is still super interesting!
Thank you very much for your click!
にほんブログ村
0 件のコメント:
コメントを投稿