2012年5月3日木曜日

Pulse diagnosis


It may come as a surprise to you but our pulse tells us a lot about our mental and physical condition. In Ayurveda and Chinese traditional medicine, well-trained therapists analyze what the patients’ body is composed of and what current condition is like without using a stethoscope and x-ray. Pulse diagnosis is really amazing.

The other day, I experienced a pulse analysis session. The therapist put her fingers on my wrist and zeroed in on analyzing my pulses. After a little while, she said; “There are sugar, wheat and heated oil that are not well digested in your stomach and I think it will makes you get heart burn.“

I tried to remember what I ate and I hit on something. Yes! I had fried Japanese cookies coated with brown sugar in the morning.

She added; “You should avoid heated oil. It’s not good for you. And something sour such as orange and vinegar is not for you neither. Instead, you should have bitter fresh leaves and vegetables such as watercress, bitter chrysanthemum and bitter melon. They would help keep your condition good.

In addition to the food advice, she also explained to me my trend of thought, which is very helpful for me.

I easily get upset when I have stress. That’s might be the result of what I have eaten. There is a saying; you are what you ate. If that it was true, my mental condition and behaviors would change when I acquire a new eating habit. That would be super nice!

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2012年4月21日土曜日

Akira Yamaguchi, TOKIORE(I)MIX



I sometimes drop by Maison Hermes when I go to Ginza. I don’t go there for shopping because most of their products are not affordable for me. I pass through floors watching high-end fashion items and head for the top floor.

There is a small but very nice gallery called Forum there. Now, Akira Yamaguchi, a modern art artist is having an exhibition titled “TOKIORE(I)MIX.”

Even if you don’t know him, you might have seen a piece of his work at terminal 1 in Narita international airport.

Yamaguchi’s typical painting style is a bird-eye view inspired by a national treasure Rakuchu Rakugai zu, or views in and around the city of Kyoto. In this exhibition, he has been drawing a new piece at the site since the exhibition started and every time you go there, you’ll see how much his painting has been completed.

The picture seems to be just a simple bird-eye view of modern Tokyo but soon you’ll find it has multi time axes. For example, there are old buildings that existed before World War II next to today’s buildings. It stirs our sense of time and makes you wander around Tokyo that is a mixture of the past and the present. That’s what the title TOKIORE(I)MIX refers to.

Gallery is open to anyone and you get a free booklet of the exhibition.

With the quality of the exhibitions and a prestigious location, you must want to keep this gallery all to yourself.


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2012年4月12日木曜日

Squid Center


The other day, I found a tweet that a friend of mine made on Twitter. He said; “Squids from Squid Center taste really good.“

It was just a simple message but I never overlook this kind of gourmet tweets because squids are one of my favorite foods. I felt like going for it right away!

At first, I thought that Squid Center was like a fisherman’s marketplace in a seaside village. Soon, it turned out to be an izakaya or a pub restaurant that has some branches in Tokyo.

The one I went to is in Nihonbashi. When we got there at about 7 p.m., tables in the pub were fully occupied and the air was very animated with a lot of guests. There was a big fish tank near the entrance and I found my dinner fish of the day was swimming in it.

One of the strong points of Squid Center is that they provide us with super fresh fish for the reasonable price. They say that they buy fish directly from fishermen and deliver it to their pubs quickly by their own transportation system. They cut the commission of distributors, it enables them to serve us fresh and lower priced seafood dishes.

The dishes we enjoyed at the night were fresh squid sashimi, an assortment of fish sashimi, squid flitter and grilled enzara. I was very happy with them.


A chopstick rest is also squid shaped!

A list of today’s special.

Tokumori, or a special assortment, Onimori, or a fiendish assortment!? ww


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2012年4月9日月曜日

sakura 2012 at Chidorigafuchi.

It was a super sunny day last Sunday. Cherry trees were almost in full bloom here and there. No weekend is complete without having Ohanami in such a lovely day! Then, I went to Chidorigafuchi and Kitanomaru Park, just North-West corner of the Royal Palace.


A picnic under sakura trees.
It must be the most gorgeous lunch.



Rowing a bout in the pink sakura tunnel. It’s like a daydream.
But things are not that easy.
People had to be waiting in line all but two hours for riding a boat on the moat.



Well aged trees stretch their branches down towards the surface of the moat.
It looks like a sakura water fall, dramatic display.



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2012年3月31日土曜日

NPP and money



The Nuclear Power Plant (NPP) accident unveiled a lot of problems that are underlying in our society. One of the most serious things is the situation of underpopulated areas that have to depend on the NPPs.
As you know, most of the NPPs are located in remote areas from big cities because originally the NPPs are planned to be built in such a low populated area to avoid possible trouble.
As a matter of fact, in those areas, the number of residents is decreasing and young people are heading for big cities for their jobs. Consequently, only old people remain there and it makes the situation become even worse.
Suppose, you were a mayor and you were offered huge subsidies. With the money, you could create jobs for young people, provide good social welfare services for villagers and finally your village would get animated, though, you definitely have to accept to build the NPPs, in return.
The Reality is that mayors receive tons of funds and donations from the government and TEPCO. I was taken aback to know that it adds up to over 3 trillion yen.
Kashiwazaki city that has 7 plants is way ahead of other cities in terms of the amount of subsidies. It’s 300 billion yen in total. However, the city is in a debt 57.3 billion yen and it exceeds the city’s annual budget. What brought this about to Kashiwazaki?
The money the city received was limited in use. The city was just allowed to use only for facilities like a museum, a gym, a concert hall. Those big facilities have required a lot of running cost and finally it ended up pressing local finance.
As a result, they have to accelerate the invitation of plants for more money to make up for the loss. It is a vicious circle. There seems to be no way out.

Sauce: 「原発マネー」NHK
photo: wikipedia

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2012年3月22日木曜日

Is Japan heading for space?

There is no doubt that the TV industry is declining.

Now, people have a lot of other options to spend their spare time on. Besides, as long as information is concerned, it’s not necessary for people to depend only on TV anymore because they can get any kinds of information through the Internet and SNS.

Actually, most TV shows are not worth watching. I’m getting bored with them because they have been broadcasting just about the same contents in the same time zone. Even the news shows pick up the same topic with a similar priority.

Maybe it’s the curse of ratings and marketing.

One thing’s for sure. The research doesn’t tell what people want to see. It only tells what people are familiar with.

The media people are also concerned about their future and some people have started trying out a new type show to demonstrate what they really want us to see. In that sense, I think “宇宙テレビ” or Space News (TV Tokyo, a Tokyo based key station) is a good start.

The idea comes from one of staff members who is a space fanatic. It features only space news, from a new discovery from the edge of space science to breathtaking views from the space station. The show is quite unique and it inspires us with infinite possibilities.





Speaking of space, a young J-pop idol unit “Momoiro Clover Z” has released a new single titled猛烈宇宙交響曲・第7楽章『無限の愛』, Fierce Space Symphony, 7th Movement, “Endless Love.” Probably, “space” is coming up in Japan.





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2012年3月18日日曜日

神隠しされた街

私の好きな詩人、アーサー・ビナードさんのトークセッションに参加してきました。歯切れのいい、しかもちょっと毒がある日本語はいつも通り! 鋭い洞察力で、言葉に隠された真実を、白日のもとに「晒し」てくれました。痛快!

たとえば、みんながぼんやり感じてる「絆」って言葉の胡散臭さ。私たちの善意を悪用して、裏で何か誤摩化してるっぽいよね。そんな話のあれやこれやで、あっという間の3時間でした。

その時、アーサーさんが紹介し、朗読してくださった詩があまりにもインパクトがあったので、載せときます。南相馬に住む詩人、若松丈太郎さんが1994年に発表した「神隠しされた街」です。現在は、17年前に予言されていた!?


「神隠しされた街」

  4万5千の人びとが2時間のあいだに消えた


  サッカーゲームが終わって競技場から立ち去ったのではない


  人びとの暮らしがひとつの都市からそっくり消えたのだ


  ラジオで避難警報があって


  「3日分の食料を準備してください」


  多くの人は3日たてば帰れると思って


  ちいさな手提げ袋をもって


  なかには仔猫だけをだいた老婆も


  入院加療中の病人も


  1100台のバスに乗って


  4万5千の人びとが2時間のあいだに消えた


  鬼ごっこする子どもたちの歓声が


  隣人との垣根ごしのあいさつが


  郵便配達夫の自転車のベル音が


  ボルシチを煮るにおいが


  家々の窓の夜のあかりが


  人びとの暮らしが


  地図のうえからプリピャチ市が消えた


  チェルノブイリ事故発生40時間後のことである


  1100台のバスに乗って


  プリピャチ市民が2時間のあいだにちりぢりに


  近隣3村をあわせて4万9千人が消えた


  4万9千人といえば


  私の住む原町市の人口にひとしい


  さらに


  原子力発電所中心半径30㎞ゾーンは危険地帯とされ


  11日目の5月6日から3日のあいだに9万2千人が


  あわせて約15万人
 

  人びとは100㎞や150㎞先の農村にちりぢりに消えた


  半径30㎞ゾーンといえば


  東京電力福島原子力発電所を中心に据えると


  双葉町 大熊町


  富岡町 楢葉町


  浪江町 広野町


  川内村 都路村

  葛尾村
  小高町

  いわき市北部
  

  そして私の住む原町市がふくまれる


  こちらもあわせて約15万人


  私たちが消えるべき先はどこか


  私たちはどこに姿を消せばいいのか


  事故6年のちに避難命令が出た村さえもある


  事故8年のちの旧プリピャチ市に


  私たちは入った


  亀裂がはいったペーヴメントの


  亀裂をひろげて雑草がたけだけしい


  ツバメが飛んでいる


  ハトが胸をふくらませている


  チョウが草花に羽をやすめている


  ハエがおちつきなく動いている


  蚊柱が回転している


  街路樹の葉が風に身をゆだねている


  それなのに


  人声のしない都市


  人の歩いていない都市


  4万5千の人びとがかくれんぼしている都市


  鬼の私は捜しまわる


  幼稚園のホールに投げ捨てられた玩具


  台所のこんろにかけられたシチュー鍋


  オフィスの机上のひろげたままの書類


  ついさっきまで人がいた気配はどこにもあるのに


  日がもう暮れる


  鬼の私はとほうに暮れる


  友だちがみんな神隠しにあってしまって


  私は広場にひとり立ちつくす


  デパートもホテルも


  文化会館も学校も


  集合住宅も


  崩れはじめている


  すべてはほろびへと向かう


  人びとのいのちと


  人びとがつくった都市と


  ほろびをきそいあう


  ストロンチウム90 半減期  29年


  セシウム137   半減期  30年


  プルトニウム239 半減期  2万4000年


  セシウムの放射線量が8分の1に減るまでに90年


  致死量8倍のセシウムは90年後も生きものを殺しつづける


  人は100年後のことに自分の手を下せないということであれば


  人がプルトニウムを扱うのは不遜というべきか


  捨てられた幼稚園の広場を歩く


  雑草に踏み入れる


  雑草に付着していた核種が舞いあがったにちがいない


  肺は核種のまじった空気をとりこんだにちがいない


  神隠しの街は地上にいっそうふえるにちがいない


  私たちの神隠しはきょうかもしれない


  うしろで子どもの声がした気がする


  ふりむいてもだれもいない


  なにかが背筋をぞくっと襲う


  広場にひとり立ちつくす


アーサーさんが英語に翻訳した詩は、『ひとのあかし』に収録されています。



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2012年3月10日土曜日

Miyako Yoshida

I was invited to a ballet performance of Tokyo Star Dances Ballet. It was just one of their monthly performance but for me it was a great opportunity to see Miyako Yoshida, a legendary ballet dancer, who had been a principal of Royal Ballet theatre for 22 years.

The show focused two great choreographers, George Balanchine and William Forsythe and we were able to quickly trace the history of contemporary dance.

Miyako appeared in act 3, “Walpurgisnacht Ballet“ as a guest dancer.

Her performance is still sweet and elegant though she is already in her 40s now.

I had been keeping my eyes on her with binoculars in my hands.

Performing with Royal Ballet for more than two decades must have been super tough. Miyako is small framed compared with European dancers. She has been making up for her physical disadvantage by working hard.

Her technique is incredibly accurate and her expression is poetic

Ballet is fantasy. Many of programs describe imaginary things such as fairies and spirits. That’s the reason why female dancers put toe shoes and try to be free from the gravity on the earth.

When Miyako performs a spirit of flowers, she really looks as if falling in the wind. It’s the result of her constant highly aiming effort.






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2012年2月28日火曜日

What I talk about when I talk about running


Some years ago, I started jogging.

For the first several months, I jogged on a regular basis and I was proud of myself becoming such a diligent and contestant person. But soon, my rather lazy nature overpowered my newly acquired virtue and finally I stopped jogging.

Why couldn’t I keep going on jogging? Is it just because I’m lazy?

I’ve found the reason when I read Haruki Murakami’s essay “走ることについて語るときに僕の語ること” or “What I talk about when I talk about running.”

The book is like his autobiography and he talks very honestly about himself and running. I was impressed to know what Murakami has been holding inside.

Murakami said this;

“When it comes to sports, playing in a team is not for me, neither is one-on-one game such as tennis. Instead, I’m interested in whether clearing the criteria that I set for myself rather than competing with each other. In that sense, long-distance running just fits in my mentality.

Writing novels is similar to long-distance running. The important thing for me is to overstep myself yesterday as much as possible because the only opponent I have to beat is myself.

I might have ended up seeking for becoming isolated. After all, it’s a two-edged thing. It would protect my inner security but hurt me at the same time. Therefore, I’m running continuously to cancel them out.”

I see how strongly Murakami is determined to push through what he has decided to do at any cost. I’m way too far away from that kind of motivation that requires me to run.

photo:mainichi.jp



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2012年2月17日金曜日

A hundred camellias


I went to Nezu Museum to see a special exhibition titled “One Hundred Camellias.”

Camellias have been adored both in the East and the West, and the past and the present. In Japan, growing camellias became a fad in Edo period. People were not satisfied with just appreciating flowers and started breeding them to have some new types. (It’s a bit similar to the enthusiasm for tulips in Europe in the 17th.

“One Hundred Camellias” is a 24m-long picture scroll in which we can see more than 100 kinds of camellia. A variety of flowers are arranged in articles for daily use such as a bowl, a fan, a basket, a trash tray as well as in vegetables! The ideas of combinations with a flower and a container are incredibly intriguing.

The scroll was planned by Tadakuni Matsudaira and was finished by his son. It took 2 generations to complete it because they asked poets, monks and scholars to write down praises for each camellia. The scroll has a great literary value, too.

The museum building, which was designed by a successful architect, Kengo Kuma, is also worth seeing. When I stepped into a long and narrow outside corridor, which is lined by bamboo trees, I felt as if I were walking around Kyoto. It’s quite relaxing.



photos: Nezu Museum, izuhapi.net


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2012年2月10日金曜日

What’s Shintoism?


Recently, I started visiting shrines as a member of a historical walk club and I’ve realized that I don’t know anything about Shintoism. It might sound like an excuse but, for me, visiting shrines is just about the same as visiting historical sites and I didn’t need to think about exactly what Shintoism is.

However, It seems that it’s about time for me to touch the headwater of our culture.

What is Shintoism?

Minoru Sonoda (1936~), a professor of religion and a priest in Chichibu shrine said: “Shintoism is a religion in which you feel the existence of gods in nature.”

神道は「自然の中に神を見た信仰」だ


Saigyo(1118-1190), a famous poet and a monk from the Heian period (8th c) composed a poem when he visited Ise shrine.

“I don’t know exactly what there are in the air but I somehow shed tears because they are very grateful and respectable.”

なにごとのおはしますかは知らねどもかたじけなさに涙こぼるる


Nobuhiro Nishitakatsuji(1980- ), second primary priest at Dazaifu Tenmangu said; “The principle of Shintoism is that you feel and appreciate the beauty of four seasons.”

神道とは四季を感じること


Shintoism, unlike other major religions, does not have a founder, nor a certain bible, but if there are some texts that we can find the heart of Shintoism, they should be “Kojiki” or Record of Ancient Matters, “Nihon Shoki” or The Chronicles of Japan, and “Manyo-shu” or the oldest collection of Japanese poems.

Especially, Manyo-shu is important when it comes to seeing how the ancient people perceived the nature and felt like one with it.

In Manyo-shu, for example, a deer and bush clover get married. Sea and mountains die as if they were mortal. There was no clear distinction among human beings, animals, plants, mountains, river and such.

It seems like that all the objects on the earth are living in the same level without any hierarchy.

When ancient people sing as “mountains laugh,” the word “laugh” isn’t a metaphor. People think mountains are really laughing.

In here, everything on the earth is unified one.

(to be continued)



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